什麼是丁託列託

Tintoretto，原名Jacopo Robusti。

義大利威尼斯派畫家。其父為絲綢染匠；因此得到「丁託列託」（意即小染匠）的綽號。早年受到米開朗基羅和提香的影響。在作品《基督與淫婦》（1545?）中，以奇異多變的透視法把人物置放在巨大的空間裏，表現出特殊的矯飾主義。1548年因作品《聖馬可拯救奴隸》而吸引了威尼斯文藝界的目光，這幅後米開朗基羅羅馬藝術作品的結構成分是如此地豐富，而讓人驚歎的是他從未到過羅馬。到了1555年，因其作品具有輕快流暢的手法、大量活潑的色彩、偏好富於變化的透視畫法和動態的空間概念，使他成為藝術界名畫家和後起之秀。其受委制的最重要工作是裝飾威尼斯的斯庫奧拉.迪聖羅科（1564～1588）的工作，展現其熱情的風格和深厚的宗教信仰。他的技術和想像完全源自個人，並不斷地發展。現代藝術史學家公認他是風格主義最偉大的代表，按照威尼斯偉大的傳統來詮釋作品。

1518年～1594年

Tintoretto

Italian painter active in Venice. His father was a silk dyer (tintore); hence the nickname Tintoretto (“Little Dyer”). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the center of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of color, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564-88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving. Historians of modern art recognize him as the greatest representative of Mannerism, interpreted in accordance with the great tradition of Venice.